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Sounds evoking sudden changes appear as possible threats, and thus are most likely to wake us up. On the contrary, I would propose a composition that can both be listened in a state of deep listening or as environnemental sound by developing a rhythmical pattern based on the effect of phasing. This pattern constituted of steady single pulses played at different speed would be slowly changing over the course of the performance, | Sounds evoking sudden changes appear as possible threats, and thus are most likely to wake us up. On the contrary, I would propose a composition that can both be listened in a state of deep listening or as environnemental sound by developing a rhythmical pattern based on the effect of phasing. This pattern constituted of steady single pulses played at different speed would be slowly changing over the course of the performance, | ||
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- | **Jessica Ekomane' | + | {{: |
- | physical and cathartic effect alternating between noise and melody, and playing with our | + | **Jessica Ekomane' |
- | perception of rhythmical structures. Her latest project consists in a quadraphonic performance | + | |
- | exploring the way our perception of rhythms is affected by the surrounding space, thereby | + | |
- | introducing elements of psychoacoustics and gestalt theory. She is one of the Berlin Community | + | |
- | Radio [INCUBATOR] residents for their 2017 edition, and her work has been presented in various | + | |
- | institutions across Japan, Australia and Europe. www.jessicaekomane.com | + | |