This shows you the differences between two versions of the page.
Both sides previous revisionPrevious revision | Next revisionBoth sides next revision | ||
en:jessica_ekomane [2018/06/27 11:12] – tanja | en:jessica_ekomane [2018/06/27 12:17] – tanja | ||
---|---|---|---|
Line 10: | Line 10: | ||
Sounds evoking sudden changes appear as possible threats, and thus are most likely to wake us up. On the contrary, I would propose a composition that can both be listened in a state of deep listening or as environnemental sound by developing a rhythmical pattern based on the effect of phasing. This pattern constituted of steady single pulses played at different speed would be slowly changing over the course of the performance, | Sounds evoking sudden changes appear as possible threats, and thus are most likely to wake us up. On the contrary, I would propose a composition that can both be listened in a state of deep listening or as environnemental sound by developing a rhythmical pattern based on the effect of phasing. This pattern constituted of steady single pulses played at different speed would be slowly changing over the course of the performance, | ||
- | \\ | + | |
+ | {{: | ||
**Jessica Ekomane' | **Jessica Ekomane' | ||
physical and cathartic effect alternating between noise and melody, and playing with our | physical and cathartic effect alternating between noise and melody, and playing with our |